Dear Lindsey,
Thank you for your question. It is good that you are concerned about the
nature of what you watch. However, the issue is not just the nudity and
sex often depicted in horror films. It is your attachment of horror films
as well.
As Christians we have a responsibility to keep custody of our senses. That
means we need to be careful of what we dwell upon, watch, listen too, and
speak.
We obviously should try an avoid material that appeals to our lower nature.
That is not always possible and, to some extent, it is a subjective proposition.
For instance: There are many excellent historical dramas that, in their
realistic portrayal of an event, often show graphic scenes. These scenes
either show gore or nudity, but the scene is an integral part in the
portrayal of the circumstance. The point of the scene is not appeal to
our base instincts. In these instances, we have to recognize our own weakness.
If we can watch such film without falling into sin, then the it's OK for
us to watch it. If, on the other hand, the scene will inevitably lead us
in to dwell on the bloody or sexual aspects of the movie, then we should
avoid the film.
Horror films are not unlike pornography in that they appeal to base instincts.
They don't seek any other higher artistic goal.
They simply are designed to give the same kind of thrill that one derives
from pornography. Think about it:
- Is it really any worse to get a thrill
by watching fornication than it is to get a thrill watching someone getting
bloodied to death?
Both of these are voyeurism that exploits the sin of
others in order to stimulate the voyeur's senses.
St. Paul writes the following to the Philippians:
"Finally, brethren, whatever is true, whatever is honorable, whatever
is just, whatever is pure, whatever is lovely, whatever is gracious, if
there is any excellence, if there is anything worthy of praise, think about
these things."
(Philippians 4:8 RSV-CE)
So then ask yourself:
- Is deriving pleasure from horror films
consistent with St. Paul's admonition?
I hope this helps,
John DiMascio
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